Tarzan is not as disastrous as Atlantis in this regard, but it is another example of how the company's brand paranoia often comes at the expense of genuine creativity. This in turn has pushed the company into more conservative and conflicted filmmaking, where the many entrenched Disney conventions often trample on the material. It is because Disney worked hard to tell these stories the right way, playing the likes of Snow White and Sleeping Beauty to their own strengths.īut as the company has grown and diversified, having recognisable conventions (for the purposes of branding) has often been a higher priority. The fact that many of Disney's greatest works are based on fairy tales is not simply down to the inherent appeal or potential of these stories. Falling in love with Jane, Tarzan is torn between embracing civilization and staying with his gorilla family, which becomes threatened by the ruthless hunter Clayton (Brian Blessed).ĭisney has always been at its best when it allows the material to shape its storytelling, rather than the other way around. When a British expedition enters the jungle, Tarzan encounters the beautiful Jane (Minnie Driver) and recognizes that, like her, he's human. In this Disney animated tale, the orphaned Tarzan (Tony Goldwyn) grows up in the remote African wilderness, raised by the gentle gorilla Kala (Glenn Close).
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